One LGBTQ+ person’s opinion doesn’t speak for an entire community. Even with the comments made in jest, those feelings are completely valid. Some even went as far as to claim Michael Myers to be homophobic. There have been vastly contrasting reactions and opinions about Little John and Big John over the last few months.
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Perhaps, like Charles Lee Ray in the “ Chucky” TV series, Michael isn’t a total savage when it comes to the LGBTQ+ community. Furthermore, Big John and Little John are the only victims in the film to be handled with such care. In Halloween Kills, however, the boogeyman seems to have picked up on their relationship in a weirdly satisfying way. Michael’s playfulness is not a new conceit in the original Halloween, he staged Annie’s body with the dug-up gravestone of his sister, as well as tucked away the bodies of Lynda and Bob in the closet. In the framed picture, sitting next to the record player, Big John and Little John flash infectious, warm smiles, an indication of their life together. The 1981 country hit “Could I Have This Dance” by Amy Grant and Anne Murray spins on the record player, and their mangled corpses are repositioned to mirror a nearby photograph. When Allyson (Andi Matichak) and her boyfriend Cameron (Dylan Arnold) track Michael to his home, they discover the bodies of Little John and Big John posed in an upstairs bedroom. Their deaths are as brutal as you’d expect with a film called Halloween Kills, but the aftermath is oddly touching. But of course, this is a horror film after all, and they’re comfortable life as real estate agents is soon shattered when The Shape literally comes knocking.
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As suggested by the stylish renovations they’ve given to the birthplace of evil itself, they have a sense of class and style, while feeling like human beings with wants, desires, and hopes for the future. There’s a fleeting mention of Big John’s dead mother, but their inclusion in the story isn’t predicated on grief or their survival in a heteronormative world. While legacy character Tommy Doyle (Anthony Michael Hall) leads an “Evil dies tonight!” revolt at the Haddonfield Memorial Hospital, Big John and Little John enjoy a nice, quiet Halloween listening to spooky records, getting high, and eating cheese.
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Big John ( Scott MacArthur) and Little John ( Michael McDonald) simply exist in this heightened reality as everyday people, who just so happen to live in Michael Myers’ childhood home. With Halloween Kills, the second installment in David Gordon Green’s blood-soaked trilogy, not only are two gay characters given ample screentime, but their story isn’t a punch line and has little to do with any sort of trauma. There has not been a single character which could even be coded as queer 一 until now. I can’t say I’m surprised that it’s taken 43 years for a queer character to pop up in the Halloween franchise.